Hailing from the Pacific Northwest, the band was pretty quickly and pretty fairly pigeonholed as a moodier version of Built to Spill. The addition of James Bertram (Lync, Red Stars Theory) on bass an album ago has not at all changed that. In fact, it only magnifies it, mirroring Built to Spill's increased propensity to rock out and use a louder, fuller sound on their later albums. There are obvious distinctions to be made (for instance, HERO definitely do not own as many Hendrix albums as Doug Martsch), but, more or less, if Built to Spill does not release enough records for you, you should check out 764-HERO; otherwise do not bother.
The third member causes more changes that just a fuller sound though; it has also inspired the band to play around with their style a little more, and as a result the band does not sound quite as samey as they used to. That should be a good thing, but, for the most part, it doesn't end up working here. "Leslie" is a very quiet song with muffled, from-the-next-room vocals that are buried beneath the repetitive, swaying guitar and bass. The song does little, sticking around for 3 minutes with out much purpose. "Left Hanging" continues the muffled vocals, this time buried underneath what sounds like a heavy metal interpretation of 60s go-go, complete with handclaps. The metal go-go section bounces around fairly entertainingly, but then the song falls apart, and the listener is given four minutes of fairly bland sparsity.
These experiments do not take the band that far away from their usual territory, and many of the other songs are just standard, good indie rock songs. The album opens with two of them. "Terrified of Flight" is a good example of Atkins at his best, starting off the song with a spiteful, descending guitar part while singing the refrain "Okay, so you can start over your life." The song eventually gains a rosier outlook, both in guitar and voice, singing "everything was right." The guitar part on "Without Fire" may be most hook-laden thing Atkins has ever played, poppy almost to the point of sounding like a Superchunk song.
As decent indie rock becomes increasing rare, Weekends of Sound continues 764-HERO's trend of good but not outstanding music. Unfortunately, that isn't quite enough to keep it from going in one ear and out the other. However, it can be quite hard to get your fix of new music of this style these days, and if such a fix is needed, Weekends of Sound is quite serviceable.
2000 sep 15